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Club Weimar

 

 

1)Never forget: all art is, by its very nature, synthetic.
Romo is made of plastic, as we all are if only we knew (plastic: having the power to change, to be moulded into new forms, new shapes). Far from being disposable and transient, plastic is in fact the most precious and enduring of commodities. Stone crumbles, wood rots, the flesh dies, but PLASTIC IS FOREVER. After the nuclear war, there will remain: insects, plastic.

2)Consider if you will how many of the most valuable or deeply treasured or plainly beautiful human achievements/discoveries/philanthropic acts have been born of the simplest vainglory ...
Romo is always believing you are gold.

3) ... and so in this sense, pop can be likened to the hallucinogenic or the religious experience: that is, it is not the reasliation of dreams or aspirations that is finally important, rather those dreams and aspirations themselves - and the creation of a world entirely separate from/to the wasted codes of modern living.
Romo is the word and shall be. Like "Dada": two simple syllables, Ro-Mo Romantic. Modernist.

4)Never forget: all art is, by its very nature, contrived.
Romo is acknowledging the death of God and the supercession of the need for Gods with human imagination itself. Romo is the new religion, the spectacle of Man recreating himself in his own image.

5)It is advisable to actively cultivate the simulataneous alientaion from/vertiginous fascination with one's own body that will arise spontaneously from time to time; one should treat the body as somethng of a blank canvas and lavish upon it the obsessive yet ulitmately superficial attention we invariably reseve for matters of no importance whatsover.
Romo is, correct, élitist. But we are talking about a peculiarly democratic form of élitism. Anyone can reinvent themselves. We can't help it if most are too dull to try.

6)Ridicule is nothing to be scared of.
Romo is actively making life more difficult and dangerous for yourself. Because pain is beauty and beauty is pain.

7)The great cities are already built. The great works have now been completed. This should be perceived not as a limit, rather a stupendous and unprecedented FREEDOM.
Romo is tearing open the map of Europa, our frontierless homeland, and gazing with romantic fascination at the placenames: Valencia, Sorrento, Praha, Hammerfest, Zurich, Sarajevo, Arkhangelsk, London

8)Never forget: all art is, by its very nature, narcisistic.
Romo is casting yourslef in the starring role in the film of your life, and living every moment in the knowledge that the cameras are rolling.

9)Lying is both useful and constructive - but it is first necessary to restructure the delineation of DECEIT and BELIEF. One must never, never think of lies as an indulgence or, worse, a convenience. Think of them rather as ... seeds.
Romo is never telling your real name. And never asking

10)Contravene at every reasonable opportunity, the four Great Lies upon which late 20th century civilization has been based: The Lie Of Authenticity, The Lie Of Fidelity, The Lie Of Modesty, The Lie Of Taste. All engender nought but obstruction
Romo is not a bloody revival, but some people are, you know, a bit slow.

11)Try thinking of the last days of this dense and speedy millenium as comparable to the last day of term:/"When it's towards the end of the run you can overact appalingly"(Crisp)
Romo is la nouvelle belle époque. Romo is hurtling into this fin of the siecle to fin all siecles with but one imperative: dance, for tomorrow, we die.

12)Never forget: all art is, by its very nature, irresponsible